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Thursday, December 12, 2013

Tony Williams. "Space, Place, and Spectacle: The Crisis Cinema of John Woo." Cinema Journal 36:2 (Winter 1997): 67-85.

Hong Kong cinema is undergoing a particular process of transformation influenced by historical, political and geographic factors that question its very identity . This is seeming in the works of directors uniform John coquet and Wong Kah Wai. The naming Ive chosen is written by Tony Williams. Space, Place, and Spectacle: The Crisis Cinema of John Woo. It depicts more(prenominal) or less of the ideas that John Woo was reflecting in his leases. In John Woos work, he has always wanted to reach forbidden verboten to more than an oriental person audience. In the adjacent argument Ill be touching on how he uses the gang of westerly and eastern technics and motif to reach out to the encompassing audience, the non-oriental audience. The space and identity of Hong Kong, the hybridity and how his religious oscilloscope affects some of his film and also how his idea of having traditional set that John Woo always emphasize on like loyalty, honour, h cardinalsty, justice, and perpetration to family contradicts to his negative perspective on the 1997 handing over of Hong Kong from the British dependence the mainland China. In John Woos film, he always tries to reach out further than the eastern audience. He does that by combining westward technic with eastern motif easily understandable to non-oriental audience .
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